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Paris (AP) – Spring Sounds, blabbering Brooks and Birdsong, set a calm but real tone Wednesday when Elie Saab launched her latest Couture collection in Palais de Tokyo which surged in Paris. It was interspersed with only whoops and clicking on the camera window when Eva Longoria swept.
While the arrangement arouses pastoral happiness, the collection is a study in high couture drama, when the luxury of SAAB meets the accuracy of new architecture.
This season, the Lebanese designer, the mainstay of the red carpet, directed the caskade of his embroidery with a structure that is almost like a armor. Architectural sweep developed curved around the shoulders and hips, given the splendor of Art Deco but with modern sheen. The geometric band of sparkle strengthens the intention of sculptures, carving a silhouette that feels more governing than the romance of the typical liquid of Saab.
The model appears on the three parallel runways framed by the classic white arches, wearing dresses that are dripping with jewelry and embroidered feathers that echo the leaves. The effect is cinematic, an invitation to the glamorous world in the 1920s – Gatsby’s decadence was reorganized with Saab’s eyes that never occurred in fantasy. But in the world of uncertainty, the advantages take a different weight, a reminder that fashion has long escaped from reality.
The aesthetics of the saab-luxurious test stone, the silhouette pieces and the attractiveness of the red-compassional carpet, but there is an additional taste in the courage of Couture that gives a collection of excellence. The designer never deviates far from the core of his femininity and splendor, but here there is a whisper of something stronger: a woman who is wrapped in fantasy, but a armored for the future.
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